“AI” as itself does not interest (or bother) me much, so I find it more interesting to look how this phenomenon interacts with the world around. Here’s one rather unexpected parallel.
I’m not trying to claim that current “AI” fills exactly the same niche or follow exactly the same history, but I find the coincidences rather amusing.
Hollywood started when most of the movie studios moved to California in order to be far from Edison’s company which owned a lot of patents on cinema equipment; there they started to indulge in mild and hard copyright violations—the most prominent example, let’s call it The Big Mouse to protect the guilty, was founded by a person whose original character was essentially stolen from him, so he created that Big Mouse (which looks suspiciously close to his first creation) and started to make money by taking public domain works and creating derivatives (which now were protected by all possible USian laws, to the extent of the certain nickname copyright term extension act got). And apparently they thrived on the fact that screenplays being derivative work could be used without any royalties to the original author (unless you explicitly want to use that work or author’s name for better publicity of course), so the studios saved a lot of money by producing a completely “original” script definitely not based on some book or another script sent to them by some naïve scriptwriter (I’m not sure that Nosferatu was even the first movie to pull such a trick but it definitely had a lot of followers in the following century).
Now look at the “AI” produced content and make the comparison for yourself.
Then there’s a common trend of financial gravitation, when smaller companies grow into larger ones by absorbing everything around (and occasionally merging) so even if you start with the cloud dust of many indepedtent researches it will eventually accrete into just a couple of giant companies (maybe with some satellites) absorbing anything they can reach. So like in Hollywood you have half a dozen of major studios and a couple of small fish, there maybe about the same number of large “AI” companies with no serious competition. It may also explain why the heads of the companies are often people who don’t understand anything about the businesses they run but that’s so common that you rather need to list rare exceptions.
And partly this can be explained (damn! I said I see it as a coincidence, not something following the same trajectory by obeying the same general laws) by their productions being soulless large-budgeted “original” productions (I’ll probably just call it SLOP for short) that use a lot of GPUs to render the final result.
But there’s definitely a difference! Hollywood is known for its accounting system that raises relatively large sums of investments and subsidies and then reports losses on movies no matter how much income they bring. I’ve never heard “AI” companies being accused of hiding profits, only for using a creative accounting to hide losses in order to attract more investments. Definitely nothing in common here!
So there you have it, two completely different categories of enterprise, giving you ephemeral products (in the sense that you watch a movie or run an “AI” agent for some task from them and then you’re left with nothing substantial afterwards, only vibes and feelings) and demonstrating similar behaviour. To repeat it at least for the third time, this is just a coincidence—but I get fun wherever I can find it.