Kostya's Boring Codec World

Since I had nothing better to do and remembered about one mostly finished format, I decided to add its support to na_game_tool. The game in question is called either Cydonia: Mars – The First Manned Mission or Lightbringer (with two variations of sub-title).

The main problem is that there may be different audio and video formats inside but you cannot easily detect them. The header contains only the dimensions (which can be any as long at it’s 640×320 as the game uses hard-coded dimensions in the decoder), number of video frames (also rather pointless as it does not really affect anything) and audio present flag (the only useful information there).

First annoyance is audio format detection. The simplest solution I could devise is looking at the first audio block size and depending on its size setting the format (22050 bytes means 11kHz mono, 44100 bytes are for 22kHz mono and 88200 bytes are for 22kHz stereo). As long as you don’t encounter those extra-short files with a single audio block of different size you should be fine.

Then, video. Game demo (and maybe some versions of the full game) uses paletted video while the full game (at least the version I could find) uses 16-bit video instead. So if you discover palette chunk before video it must be a paletted format. At least the compression schemes remain the same.

And what do you know, video compression is also annoying. Both compression methods employ LZ77-based algorithm with some variations. Method 3 always decodes 640*320 bytes (or twice as much for 16-bit video) and employs an additional code for leaving data unchanged from the previous frame. Method 2 uses the same coding method (minus the “keep previous data” code) to code inter frame data of variable length (without an end code apparently). Essentially if the next 24-bit code is a valid offset (which is coded as x+y*632) then copy a block from the previous frame at the given position, otherwise decode block data (64 or 128 bytes depending on bit-depth). As I mentioned before, you don’t know compressed data size beforehand and you don’t have end-of-stream marker so you have to decode the needed amount of data as you paint the frame.

Overall, this is rather interesting video compression scheme but Paco also serves as an example of how not to design a container format. This reminds me of RoQ hack where the game engine used slightly different decoding mode if the filename was in a special list. And Nova Logic KDV but there it were different flavours in different games at least.

I’ve written a decoder for Ratvideo (and documented it as well). So why it’s not done? Because apparently it’s VIDPAK (from the creator of DIGPAK John W. Ratcliff—hmm, I wonder if his name has anything to do with the format name) so it’s a different thing that had been done. And since the format was created by an EA programmer for use in EA games it’s definitely Peter Ross’s fault for not REing it.

So the runtime-generated table turned out to be code for masked update and inter-coding mode proved out to be a fixed-size mask telling which pixels to update plus the values to update it with. Mentioned in the previous post mode with duplicating lines turned out to be an alternative coding mode where each next line uses a previous one as the reference, so that previous line is copied and updated depending on the mask. That’s another case where you need to look at the disassembly instead of what decompiler provides (if it manages to produce something in the first place) but the code is almost trivial.

I’m not going to look at any more game formats in the near future (unless some come to my attention), so it’s just boring stuff for me for now.

While I saw this format mentioned in dexvert unsupported formats, I ignored it for confusing with RatDVD. And apparently it’s not me who should’ve paid attention—since it’s a format used in some of EA games (like SSN-21 Seawolf or Kasparov’s Gambit) it is Peter Ross who should’ve looked and REd it by now.

While the format is rather simple, it is still rather curious. Audio data seems to be coded using a mix of RLE and ADPCM (i.e. it allows coding a run of the same sample value or deltas that are scaled depending on the previous delta code value). Video can be coded as simple frame (raw or RLE) or split into two parts (each may be raw or RLE as well) and assembled back somehow. From what I see it uses one buffer as a source of pixels and another one as opcodes stream and invokes a runtime-generated code for those opcodes. So I’ll need to find out what gets generated first and then translate it to more conventional operations. Though I expect it to be something rather simple like telling how many pixels to skip. There’s another mode which seems to use flags to tell which lines of the previous frame to duplicate but could misunderstand it (after all, the standalone player code supports additional features like scaling during playback).

Of course I intend to document it and add this format support to na_game_tool eventually.